Good Riddance / No, You Die by Gracie N. Berry — A poem in six parts about refusing to mourn those who chose a life of hate over humanity

I. The carving out, a coming-of-age story

I remember one of the first times someone denied my humanity.
It was cruel — a bold-faced lie,
told by an adult who had been newly welcomed into my family.

He lied.
And someone I trusted — someone who should have protected me —
believed him over me.
Got me in deep shit.

And I remember how it felt.
Like being attacked.
Like I needed to defend myself, add context, explain.
But nothing worked.

Because his lie controlled the scene.
His lying ass watched me bleed for something he had done,
and we both witnessed it with our own eyes —
but lies told with confidence often win.
For a while.

Power can dress itself in lies and still be welcomed,
while the truth — especially from a young, trembling voice —
can be discarded like it never mattered.

That moment didn’t just hurt —
it carved something out of me.

It taught me two things I wish I never had to learn:
That denying someone’s humanity is one of the worst things you can do to a person.
And that being human does not guarantee being treated human —
especially when someone decides you aren’t worth
the dignity that makes being alive sacred.

II. Cardinal instinct

And yet here I am — years later —
saying it aloud with no regrets:
I will die denying the humanity of bigots and their counterparts.

Because I know what it feels like to be denied.

A racist, anti-this-and-anti that, a man
whose name I never heard (and will not utter here either), face I never saw
until his counterparts decided his death meant enough to plaster it all over the internet, trolling rage bait for sympathy and likes.

A man I never listened to, never followed —
now lighting up my “For You” page
just because it’s political
and the algorithm knows those are some of the precious things I care about.

When nothing about him should be given the benefit of the doubt. When nothing he lived by was ever for me — or for you.


And now I’m supposed to shed my precious tears?
Raise a flag to half-mast
that my ancestors made possible
because he’s gone from flesh now?
No.

I’m not sad.
I won’t mourn.
I won’t use my freedom to honor no-count legacies.

I won’t grieve for lives consumed by hate —
where their families who benefited from it
smiled in pictures
and left bad seeds in their children.

And no — my perspective isn’t cruelty.
It’s clarity.

My Black-ass humanity is what it means
to be born inherently empathic
and still be microaggressively harmed
over and over and over again.

It’s survival.
It’s a cardinal instinct.

III. Loyalty is not redemption

One of my foster fathers was a racist bigot.
I went to his funeral out of loyalty.

I sat among his family —
a family I once loved,
a family I still love in complicated, unspoken ways.

I cried at the slideshow
where I was featured alongside him.
I cried when I hugged his daughter.

Not because they deserved my grief,
but because, once, we shared a bond —
toxic, yes —
but a bond nonetheless.

A hateful man with hints of kindness,
so committed to his politics
that his memorial table held
a MAGA hat and “Back the Blue” flag
like they were personal badges of honor.

He let me and my younger Black brother know exactly what he thought of people like us.
Told us we couldn’t date outside our race.
Said we would taint the white bloodline —
every chance he got.

And still, I showed up when he died.
Because that’s what loyalty taught me.
Because the child in me didn’t know
how to love halfway.

And still, I had nothing to say
when they opened the mic.
Just silence —
the most honest thing I could offer him.

And now I know better.
Now I refuse to pretend
that love or family
can redeem a racist bigot —
not when the damage is generational
and still happening.

That man didn’t just raise a family with an iron fist —
he raised harm.

And that harm lives on
in some of his children
and their spouses —

the ones who asked
why I stopped putting perms in my hair,
why I chose a Black college,
what I had against Paula Deen
when “that lady was so good to Black people.”

The ones who called me
an ungrateful foster child
who didn’t know the blessings
their Lord and Savior Jesus Christ had given me.

And no amount of memory
can make that holy.

IV. A cosmic reckoning

And yet, people say we all return to love in the end.
That when death comes, it brings grace, not judgment…

Every story I’ve ever heard
from someone who nearly died
ends the same way:

They say they felt an overwhelming sense of love.
That in the afterlife, they melt into pure light.
Pure grace.
Pure love.
No shame.
No blame.
Just love —
and a remembrance of why they journeyed here in the first place.

A love that covers regrets, forgives wrongs,
wraps them in light regardless of what they carried.

Maybe that’s true on the other side.

But that’s not the world we live in over here.

Over here,
hatred still builds empires.
Hatred moves freely.
Hatred raises children.
Hatred builds platforms
and gets them funded by the government.

And beautiful children — like I once was —
just trying to be loved —
have had to survive a cruelty
that still gets airtime.
Gets lied on.
Left bleeding.
Hurting.

So no —
I don’t want to “prayer warrior” or “Moodji Baba” my way out of this rage.

I don’t want to pretend I don’t hate the people
who hurt my people.

I don’t want to be told forgiveness
is the only path to healing.

I don’t want to be lectured about grace —
when Grace is my first name.
And all Grace ever needed was protection.

When hate is what activated this part of Grace in the first place.

V. Severance in the ethers — now that’s holy

And now that you are everywhere —
stitched into every wound,
every lie,
every echo you left behind,
woven into wind and earth and memory —

you do not get to rest.
Not until you’ve reckoned
for every seed of hatred you planted.

This isn’t just your burden to bear —
it’s your debt to repay.

And now that you are part of the universe —
dust, light, energy —
you finally know the true nature
of why you came here.

There is no way your mission in life
was to spend your days fueling hatred
instead of healing what needed love.

So you must carry that truth now.

I charge you —
and your ancestors —
and the ancestors of every racist bigot who ever lived:

Return to this planet what you’ve willfully destroyed.
Set in motion what you turned into stone and smoke.

You know damn well this reckoning is long overdue.

VI. Good bye, go get it right

Let love melt away our sins
and consume us in the afterlife.

But here and now,
I stay grounded in reality.

And to the ones
who use their lives to spread hateful venom,
to deny the humanity of people like me?

You are rotted from the inside.
No —
you die.

Good fuckin’ riddance.

If this piece spoke to you — or unsettled something in you — feel free to comment, share, or sit with it in silence. This is sacred work, but not polite work. That’s intentional.

Cause I always bend the rules. TheeAmazingGrace, summer 2025.

— Ase’O

TheeAmazingGrace 

Hate with Purpose, Heal with Power: Let Hate Clarify Without Being Consumed by It by Gracie Nicole Berry

Lately, I’ve been on an emotional roller coaster. After finally requesting my childhood ward of the court records—records that have existed since I was five years old—I’ve been revisiting parts of my life with a different lens. I’m in a place now—after so much intentional healing—where I’m genuinely curious. I feel healthy in my pursuit and believe that knowing this information will only further my healing journey, my art, and the legacy I wish to be remembered for.

I remember bits and pieces, but trauma has a way of scattering time. These records, I trust, will help put into place the dates, the times, and the situations that have lived in my memory without order or clarity for years. The Department of Human Services (DHS) in Philadelphia gave me a difficult time over the last few years. They made my right to know—to access to my own history—feel like a battlefield. But recently, I found out I’ll finally be assigned a lawyer—someone who can help me get the information I’ve been asking for all along.

And what changed everything?
They finally learned my mother’s name and date of birth—information they hadn’t asked for before. That one detail opened doors I’d been knocking on for years. It’s been emotional—and it’s also brought me some resolution. It made me think of this:

Just because we grew up impoverished don’t mean our minds ever were. Many of us saw so much too soon—or things we should’ve never been exposed to—yet we’ve carried the power to cultivate both the elevation of our existence and the orchestration of our own demise.

Crack cocaine stole my matriarch, just like I know it stole so many other lives. And that devastation wasn’t by chance. Reagan’s “War on Drugs” wasn’t a war on drugs at all—it was a war fueled by his hatred for Black people and poor neighborhoods like mine.

Thank you, Mama Nikki Giovanni, for giving us permission to: hate who we hate, and love who we love—and let it be known so. I want to be clear—my hatred for him, and the whole system that granted him permission to destroy us, is intentional. The hate I feel for him and his cohorts doesn’t come from a place of bitterness—because the creator made it possible for me to be a never-ending healing vessel and if I have it my way, I will continue to choose to be. 

And I still hate him—on purpose—because I lived through the hatred and witnessed how he tried to slaughter us.

Policies that punished addiction instead of protecting the ones suffering from it. Foreign operations that opened the doors right into our bedrooms, flooding us out into the streets. Laws that criminalized our communities instead of healing them. Many of us who rise today from those same barbaric ashes are here because we know what it is to not just survive, but to live—and to tell our stories—in the face of real-life horror.

As I grow into my mature age, I’ve learned to genuinely not give a damn about what anyone thinks of me—or how I move through this life. I move with integrity in every interaction, as much as being human allows. Many moons ago, I learned hard lessons. I stopped being a bleeding heart, stopped bending to please others, especially when it meant dimming myself just to make them feel seen—more seen than they ever tried to make me feel.

I’m grateful I no longer concern myself with someone else’s skin, or how they choose to move in it. I’m rooted in my own.

My deepest wish for anyone reading this is that you find the strength to go into any space with your head held high—calm, unbothered, having a drink or a bite to eat, or simply reading a book and breathing without a single care about who’s watching or whispering.

Move with integrity. Carry the voices of your ancestors with you. Let them echo in every room you enter. Stop—if you can help it—from dimming your light just to make others feel seen. Because the truth is, no one can break you—not in this life. Even when they play in your face. Even when they think they’ve got you all the way fucked up.

They don’t.
And they never will.

Shit! The day I break is the day I die—the day my body exits the planet. And even then, I’ll be more whole than ever before—an ancestor, returned to source.

To my mother,
and the ancestors who move about with me—thank you for clearing paths I couldn’t see, for loving me beyond the veil,
and for sending the healing exactly when I was ready to receive it.

Mommy, I hear you in every moment of clarity. That sweet, raspy, deep voice of yours still wraps around me. Your lullaby still sings:
I can see clearly now, the rain is gone…

This is our story, too.

My mom, me, David, and Jeremiah at Grema Tussie house on Hazel Ave in Philadelphia, Pennsylvania, circa 1986.

Ase’O 

TheeAmazingGrace 

 

Ase’ Ancestor Affirmations Offerings Voyage & Thangs

Ase’O Beautiful Soul People! 

FINALLY MADE IT

Finally made it down to a local creek earlier this evening to offer our Ase’ Ancestor Affirmations from my exhibit Shadowkeepers & Roothealers the Original OG’s, that was on view at The Ware Center-Millersville. We uplift the spirits of Olokun, Osun, Yemaya and all of the water Orisha I haven’t discovered yet. 

Transferring the NappyNotes for Safekeeping Watch the Video Below https://drive.google.com/file/d/1pVLevHYtB-WOgwTYJX-OVUFdEsxeapMa/view?usp=sharing

I was literally chasing waterfalls yall lol! I wanted to be intentional about the final resting place of the affirmations, so I took time searching here and there. Initially, I thought to go down to my favorite watering hole, but that too didn’t quite feel right. I envisioned the affirmations being whisked away into moving water, rushing water. I asked my ancestors for guidance because nothing was resonating in my immediate environment. I went from one idea to the next when suddenly I saw something about water falls and dams in PA. A beautiful light bulb shined over my head, thats when the journey began to find a local spot that had a waterfall or stream of moving water. I kept finding places that were in PA, but over 200 miles away from Lancaster. I thought there has to be something closer to my area. I kept talking to my ancestors about the dilemma and urged them to help me. Plus, I was trying to get things done while the moon still waned because it (conjures to reverse, releases old habits and is good for reflection and divination) exactly what I was trying to do. Finally, I came across Mill Creek Falls which is about 20 miles outside of Lancaster, a 30 minute drive. I was SO HAPPY THAT MY ANCESTORS PROVIDED SUCH QUICK GUIDANCE. Also, I couldn’t help but to notice that the name Mill Creek is also the name of a section in Philadelphia where I spent some of my younger years. Also, my aunt Neece and uncle John raised their family there too. The discovery was like double confirmation that my thoughts were heard. I knew then that I was headed in the right direction.

I drove the 30 plus minutes through rural country, not many people were around. As I turned down McCalls Ferry Rd and began a 7 mile ascension into the falls. I felt an energetic shift as if I was time traveling or entering sacred ground. I wasn’t afraid but filled with excitement. As I approached my destination about a mile out, I saw the longest bridge in the area ever. It almost seemed to slope down, creating steep hills on both sides. It reminded me of a roller coaster and I wasn’t too pleased about that lol! As I got closer, the view from all angles took my breath away. My gaze was steady tho because I didn’t want no problems with the Susquehanna River below lol! After exiting the bridge, I drove back a lonely stretch of dirt road. I parked where I saw signs for the Mason Dixon Trail which is where I wanted to go according to visitors that wrote about their experiences. I took a deep breath and recorded myself walking into the wooded area. I asked for protection as I ventured in even further. It was hot as giraffe nuts and sticky. I walked about 20 minutes before happening upon the sweet spot, creek you see in the video. However, I was looking for the 12 foot waterfall that was apparently near by. I left that sweet little creek to continue exploring the vast area. I found a cool, well preserved canal called, Lock # 12 that has historic ties to the area.

It was one hot ass journey lol! All of the sudden, right after exploring the canal, I decided to keep following the sounds of the water. I got a little nervous for my safety for a brief moment when I encountered a large group of about 25 white folks that looked more like a mob. They didn’t look happy to see me as they were walking towards me on the same bridge I was crossing in the opposite direction. If looks could kill, I’d be dead. Some of them wore racist symbols on their t-shirts like the confederate flag, some had shiny, pink skinned heads, some had goth gear, heavy eye make up and purple lipstick (I liked actually liked the goths style look lol), some had spikes and motorcycle books on that stamped across the bridge LOUD as they stamped over the narrow, creaky bridge, some were young, some were old, some were female, some were male, one of the older men in the back said “howdy” and I said it back, the other said “hi” and I said it back, some just starred as if I had 3 heads lol! But despite how physically uncomfortable I felt on the inside, I forged ahead on the outside, starring back with strong stance and stride because I knew it was my birth right to be there too. Plus, I know that my ancestors don’t play about me, and ain’t bring me this far to meet no fatal demise at the hands of no patriotic white folks. I know I’m protected and knew I was then. I was on a mission and my ancestors saw me through, providing many lessons along the way.

I give thanks to my ancestors for having my back, for helping me come down (like Ma Bendu say’s). They kept me safe and soothed the very tiny spark of fear and uncertainty that passed through my head right out through the bottom of my shoes. They helped me to remember who I am and from what spiritual lineage I come from. They helped me to look to my families bones my West Afrikan, Choctaw and Cherokee ancestors that are alive in my very backbone. Also, I couldn’t help, but think of the horror my ancestors must’ve faced at angry white vigilante mobs out to intentionally kill them, but thats a whole other blog. I give thanks to all of them. I give thanks having been born in this skin, during these days and time. Ase’O!

Deepest gratitude to the Orisha that walk with me too like Esu’ for keeping our messages safe and for clearing the path for me to do the important spirit filled work I drove all that way and intended to do. Blessings to every soul and their 10,000 plus ancestors that took a moment to witness a very special body of work for me that lead to this final phase of my work. A body of work and perspective that goes beyond the paint. 

Down By the Riverside Offering Affirmations, Watch IG LIVE Video Below https://drive.google.com/file/d/1YZZZkitgSZPB7bxs22YV2GIH_PLsaMj0/view?usp=sharing

Also, want to acknowledge the Afro-Cuban family and their ancestors for adding to the deeply spiritual backdrop as they played Afrikan drums LOUD the moment I began my water offering. That showed me in the flesh right then and there how divinely guided this thang is and that there are layers and nothing can stop power of it. I mean it was as tranquil as nature could be the whole time I foraged around from (birds, streams, water trickling over rocks, insects and other critters scurrying along). The drums were a call and response to something unseen and reaffirmed that my journey was not in vain. My ancestors showed up right on time. It was a pleasant surprise and gave me all the courage I needed in my bones that moment to keep going, to keep wading in the water.

Bayo Akomolafe reminds us that, “We like water are homeless.” Because water as he describes it, in its entanglement, its fluidity, its porousness, serves as an invitation to deconstruct oneself over and over again, to shape shift. Think about the oneness that takes place between the mortal and immortal in the pouring of ancestral libation. And how it’s not simply to remember our ancestors, but is a way to reconfigure ourselves and our members over and over. 

To the 62 people including myself that left Ase’ Affirmations to our ancestors in that bowl, know that your ancestors got your messages long before this moment, I just ushered them out into the universe from an Ifa perspective. Y’all dope! Enjoy this very spontaneous live. Through muffled sounds of my phone speakers going under water you can still hear and feel my vibration through humble grace. I did the best I could being alone out there, so trusting you’ll be encouraged and uplifted in all the ways there is. After walking aimlessly for hours and miles and miles of terrain, I found this beautiful clearing and creek. A home to our most precious Affirmations and notes of gratitude to our ancestors.

My Journey through Slideshow, Watch the Slideshow Below https://drive.google.com/file/d/1ZoYe9nCQggyh7y3MiDFcwJPjoT4a3pQg/view?usp=sharing

REMEMBER ANCESTORS ARE EVERYWHERE

Ancestors are everywhere and in everything that existed before we were born, just look to the bones. Our bones symbolize truth and wisdom for the memories they hold. Our ancestors can be through blood, those we choose, those we know by name and don’t, spirits in nature, earth, moon, sun, stars as well as people in the lineage of our spiritual practice like the Orisha of the Ifa’ faith, ancestors etc,. My bones tell stories of ancient Afrikan civilizations with Ifa’ aka Yoruba feeling the most like home. What story is in your bones? How deeply do you know yourself beyond the human experience?

Out in the ‘tranquil’ protected by my ancestors and nem.

THANKS FOR ASKING

I created, Ase’ Ancestor Affirmations to serve as an invitation to engage community members and to act as a conduit to the unspoken parts of self as well as a space to honor and acknowledge ancestors from an Ifa perspective through writing on paper. Ase’ Affirmations also serves a places of healthy and transformative communication with yourself as well as between the mortal and spiritual worlds. Ase’O!

Ase’ Ancestral Affirmation Instructions that were on display at the Shadowkeepers & Roothealers Exhibit at The Ware Center-Millersville back in June 2022.

A GRAND EXIT

Remember earlier when I mentioned the Afrika drums that played the instant I started speaking about the affirmations? It can literally be heard during my LIVE video. Well, music is the gift that truly keeps on giving. After finishing the last of the affirmation offerings, I emerged from the trees transformed. And couldn’t help notice what sounded like a celebration, festival, something grand happening out in those backwoods. As I approached a clearing to get to my car, I see an Afro-Cuban family having a cookout. There was lots of food, children running about and most memorable the music. They played bachata so loud back there that I thought it was a concert or something lol! I was so relieved to see their flag and their freedom, carefree in the deep of nature enjoying themselves. As I got closer to my car, I finally witnessed where the source of the sound was coming from from as far back as the Afrikan drums I heard earlier. There were multiple speakers on top of his vehicle, so loud that it vibrated my solar plexus and I could feel hot air coming from them at every baseline. It looked like they were shooting a video out in the parking lot. I could tell no one lived remotely near by because they were having a ball with not a care in the world. The vibe was lit. The whole experience made my day! Watch me emerge from the woods in the video below. And to think I was a little nervous earlier.

Emerging from the woodsy Mill Creek Falls, Watch the Video Below https://drive.google.com/file/d/1Vyo39FtYFgFwJC58PVJxMopriAvFndco/view?usp=sharing

We don’t have to be spirit whisperers to maintain a healthy relationships with our ancestors. When we honor them in even small ways, we honor ourselves and all connected to us. Ancient teachings are alive in our bones we just have to remember and ask for guidance to reveal it. And just as in any meaningful relationship, our bonds with our ancestors calls for care, consistency and renewal. Our ancestors can become a tremendous source of healing, empowerment, and nourishment in our families and everyday lives if we allow it. 

Ase’O! 
TheeAmazingGrace 

Shout out @therealprcptn for the dope Tee! 🙏🏾


#afrikanface #ancestoraltar #ancestorsspeak #ase#aseancestoraffirmations #aseaffirmations #esu#girlrillavintage #girlrillavintage3d #ifa #nappynotes#offerings #shadowkeepersandroothealers#shadowkeepersandroothealerstheoriginalogs #smudgetalk#TheeAmazingGrace #westafrikanwoman

Movement for Maisha

Deep belly breaths… meditation has always served me from a place of awareness. Like leaving the thoughts in my mind instead of trying to push them out. Or paying attention to where the thoughts go to inside my body. Like what thoughts invite more peace and smoother breaths and what does it feel like. I use movement and breath like that to commandeer a mindful state that tells a story. As creatives we are inundated with so much damn information all of the time, so we have to be intentional about sifting through the garbage to get to the Jewels. 

Over the weekend, I found a bracelet with my sister‘s name on it at a rural thrift shop far away from the big city where we’re from. I had actually gone back to get something for an art project when I came across the bracelet. There was no reason on earth that I should’ve ever found a bracelet with her name on it at that location, place and time. It was confirmation that were conn no matter how far apart. Also of a truth I had known all along. It’s wild how divinely guided both my art and life path is. How ancestors and spirit confirms and reaffirms every time. My sister and I share the same father, so we didn’t grow up together. In fact, I don’t even know if the spelling on the bracelet is the correct one, but I know its her name. Gives me joy to say it aloud. I haven’t seen her since 2007, after a painful truth, not mine to tell, came out about her and our father. Made me weep for my sister, but proud of the courage she was born with.

Movement is one of the many ways I work in this life to heal my families lineage in the next because I truly believe we can’t just honor ancestors and those to come simply with words, but we have to honor them in our actions, the ways we live out our lives, the ways we change traumatic, unhealthy patterns in our structure once normalized. When I push, pull, bend, flex, stomp it’s a cosmic wave of energy that does something for them too. This movement is my sister Maisha for her courage and innocence lost…

Bracelet I found with my sisters name on it

Honest to God, I just wrote my dad who is in prison, explaining to him many things, but mainly that we can’t continue to shrink into or behind shame and guilt. We can’t shrink because the pain can grow us if we let it. We can no longer hold ourselves hostage for bad choices we made or hide behind distorted mindsets and actions either. We have to do the work that will allow ourselves to be eternally free beyond this body, beyond this earth. Because the truth will set us free or on fire.

Warmest,

—TheeAmazingGrace

A Hot Wind—Perspective on “the Smack” by TheeAmazingGrace

Dat smack woulda cost me my freedom. Wouldn’ta been funny if it were you or you or me. Woulda been no excuses. No protection. Woulda been the end of the world as we know it. Woulda perpetuated generational trauma. Woulda slapped cuffs on wrists like barbed wire. Woulda weighed me down in the wata like dem kluckas did Emit. Woulda lit me on fire while still breathing. Woulda knocked my teeth out cold. Woulda stuffed me inside undersized cell blocks. Woulda had me behind barz and guilty, behind barz with no pity, behind barz and awaiting trial, behind barz wishing on a stall, behind barz and chanting sad, sad, same songz of freedom #freemyniggaGrace 

Dat smack reeked of privilege. Dat smack woulda took my dignity. Woulda took my livelihood. Woulda got me lynched where I stood. 

Dat smack exposed a bloody nerve. Dat smack showed that we all just babies learning to crawl. Dat smack was deafening like our ancestors wildest screams as their bodies muffled the sounds before hitting the ocean floor. Or the haunting splash of salt wata up against the sides of those wretched ships carrying precious Black cargo-precious Black carnage.

Dat smack caused blunt forced trauma to my innards. Cut me deep to my heart so sad and swift. Suffocated me like a hot wind. 

And fuck you if you say that smack made ALL BLACK PEOPLE LOOK BAD. We are a community not a cult. That smack revealed a painful truth we all done had. Showed, there’s more ways to grow than just one. Almost got wrapped up in the hype. Called on my ancestors for a lil heart to heart-a lil Black light. They reminded me of the powers in my lineage-Girl Real With Her Vintage. Me being one of the matriarchs to start healing thang. They say, “Tend to yo wounds. Heal the lows, vibrate through the noise cause ain’t no recoverin’ from bleeding to death.” —TheeAmazingGrace

Moko Jumbie

Moko Jumbie for the codes in his fabric are one of protection, life lessons, cautionary tales and superstitions prevalent in the American South. It’s the 5th mask I made in the Antebellum Tribal Afrikanface Collection. I feel like my art instinctively connects to my past and to my loved ones. Moko Jumbies are stilt walkers. Moko means healer from central Afrika and Jumbie means ghost/spirit from the West Indies that may have come from the Kongo language word zumbi. Moko is also said to be a Yoruba Orisha God of retribution. Moko Jumbies are also thought to have come from West Afrikan tradition brought to the south by those in the Caribbean.

This mask is likely my favorite because it resonates with the energy and spirit of my ancestor and brother David Berry. I feel the same energy of protection, sacredness and timelessness. A presence strong, bold and statuesque just like my brother was in this life and most certainly is an ancestor in ethers. Check out my process in the images below. Now on view @pavaagallery.

Moko Jumbi, 2021, Gracie Berry ©

Untitled

I don’t know what to call this one, but I know it has something to do with cowrie consciousness and the Orisha Ogun. This mask is the 6th mask I made in the Antebellum Tribal Afrikanface Collection.

Sometimes when we create a work of art messages and meaning don’t always show up in the beginning. I didn’t know the story in her fabric would be connected to Ogun until earlier this week after reading a summary from “Surfaces: Color, Substances, and Ritual Applications on African Sculpture”. I was in awe that I somehow channeled all of the colors associated with Ogun. Literally, even down to the deep black of her face. It was a pleasant surprise to read line after line, tapping in deeper and deeper, but then again this work is spiritual so it makes so much sense. Ogun has been an impactful energy in my life from his inspiration from the Shadowkeepers & Roothealers exhibit at Amtrak. According to Yoruba creation mythology, Ogun led the orishas to Earth and helped them survive and adjust. He cuts paths through all thickets and obstacles with his machete. Ogun is a culture hero: he taught people ironworking like that of railroads etc., as well as magical and spiritual rituals, hunting and warfare. Now on view @pavaagallery.

Untitled, 2021, Gracie Berry ©

AfroDalit

I call her AfroDalit, for the story in her fabric was sourced from India. The 4th mask I made in the Antebellum Tribal Afrikanface Collection. I created this piece, one to show that Afrikans live all over the world and two to correlate shared experiences of the oppressive caste systems of Afrikans born in the American South to those born in India like (the Siddi” descendants of the Bantu people and the “Afro Dalit” better known as the “untouchables” of India who are darker skinned Indonesians). 

Did you know that Dr. Martin Luther King and his wife once visited the land of Mohandas Gandhi in 1959? After being introduced by another distinguished person as a fellow “untouchable”, he was at first offended. However, story has it that he began to think about the 20,000 Black people he was fighting for in the US, people consigned to the lowest rank for centuries, smothered by poverty, quarantined in isolated ghettoes, and exiled in their own country. He then said, “Yes, I am an untouchable, and every negro in the United States of America is an untouchable.” In that moment, he realised that the land of the free had imposed a caste system not unlike the caste system of India, and that he had lived under that system all of his life. And the irony is that still happening today. Now on view @pavaagallery

AfroDalit, 2021, Gracie Berry ©

Ojise the Griots Griot

Meet Ojise the Griots Griot, the 3rd mask I made in the Antebellum Tribal Afrikanface Mask Collection, whose name means messenger in Yoruba. The stories in his fabric is one of mystery and magical and holds secrets and tons of messages to be unearthed from past, present and future antebellum Afrikan descendants. Check out photos below of my process. Now on view @pavaagallery.

Ojise the Griots Griot, 2021, Gracie Berry ©

Mr. Jute

I call him Mr. Jute, the 2nd mask I made in the Antebellum South Afrikanface Mask Collection for the codes in his fabric are durable, tough and textured. His eyes are spiritual and possess life times, stoic, peaceful, calm. The epitome of resilience, stillness. It’s the second mask I made in the Antebellum Tribal Afrikanface Collection. Check out my process in the images below. Now on view @pavaagallery.

Mr. Jute, 2021, Gracie Berry ©
Burlap