Letter to NY Daily News Re: Alton Sterling Cover

Mr. Mortimer Zuckerman,

Are there any limits to the images NY Daily will publish? Your agency, being the fourth-most widely circulated tabloid in the U.S., I find it hard to believe that it would be acceptable to publish the blood soaked images of officers slain in Dallas, so why Alton Sterling? Or maybe that is a level of trauma and dehumanization reserved only for civilians of Afrikan descent? I’m deeply troubled by your lack of concern. Even the 1928 cover of Ruth Snyder’s execution was more dignified than Mr. Sterling. SHAME! SHAME! SHAME!

It reminds me of how my life as a woman of Afrikan descent is not in my hands. And how we are all hard-wired to endure, overcome, hold on a little longer when our bodies are left alone to die with cameras trained on us like guns. And publishers like you dissect and sell our pain for profit. Llike it’s “sport” to kill Afrikan bodies the same way it is to kill Afrikan wildlife, for trophies? Our existence is a catalyst to the indifferences we face EVERY TIME racial disparities happen. And you express no moral sorrow and publish it anyway.

We are all #micahxavierjohnson. The pain that caused the reaction. When we’ve had enough. When our silence no longer comforts. When our pain suffocates us & we become brave enough. AND I DON’T HATE WHITE PEOPLE, OR WANT TO KILL THEM. I WANT me and my loved ones to live. We NEED to survive encounters with the police. We NEED to survive their judgements about us before we open our mouths. We NEED hugs, mental, and emotional sensitivity. We NEED white publishers like you to look at your own humanity, know when you’ve gone too far and fix it!

Concerned,
Gracie Berry
Huntsville AL 35810

We Are All Micah Xavier Johnson

“Micah Johnson’s tactics are not my own, yet I’m all too familiar with his pain. I’m black. I’m alive while black today, yet my future is uncertain. My future does not seem to be in my own hands. I can’t help, but to feel his pain. And NO I don’t hate white people or want to kill them! I want to live. I need my family and fellow friends of Afrikan descent to live. I need us to survive encounters with police. I don’t want our bodies riddled with bullets when compliant. I don’t want us to be judged before we open our mouths. I want questions asked first, a safe return. I want an excuse offered to the state of our mental and emotional health. I don’t want our bodies riddled with bullets or chokeholds, blood. I want our bodies to be our own. I don’t want us struggling to be black. To struggle to exist. I want the world to know that we do and on purpose. I want them to accept that we do and let us live like we do. In some ways we are all #micahxavierjohnson, when we’ve had enough. When our silence no longer comforts. When our pain suffocates us & we become brave enough.”

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Micah Xavier Johnson

My second point is, FUCK false supremacy! Yes. I said, False Supremacy. Perley Cooper taught me that. The “white” is to incite inferiority. They don’t have any more power over us than we do, its an illusion tactic to overpower us to feel inferior. They plaster all things white all over the world, ALL over as to account for what is “normal” “acceptable”, “respectable”, or the “standard” for all living creatures. But they are not. They try to confuse us, chip away at our humanity, our images, our very lives. They try to evoke in us a feeling of less-than who and what we know we are. WE ARE RICH WITH MELANIN! We must change what we feel to believe what we KNOW. WE ARE AFRIKANS-THE MOST POWERFUL SPIRITS ON THE PLANET! AUCTOCHTHONOUS-THE FIRST PEOPLE, JUST LOOK AT EGYPT AND NIGERIA AND MARS. Don’t ever forget that.

Thirdly, to all of my friends and family of Afrikan descent who are parents don’t fret you’re doing just fine. Continue to guide those babies just as you always have strong, loving, black, proud. Don’t let fear override the great work you’ve done. Love is our freedom. Teach them the ways of our people, so that even if they decided one day to be an officer of the law, they will NEVER compromise themselves or our people. They will always know their truth and honor that no matter what. We can’t shelter our babies from the realities of racism and injustice in the world, but we can teach them and nurture them in the way they grow, teach the their power, that we as Afrikan people indeed have POWER! Believe in their ability to choose. BELIEVE IN THEM!

Love is and always has been BLACK-who we are. Love is in our DNA. Just look at how resilient and accepting, and forgiving sometimes to our own demise because thats where we come from, the home from where we come. We have to believe that. We must believe in our own abilities. Our people are winning in spite of ourselves and aside from all of the death and destruction plaguing our communities. Many will die to free our people, but they will never be forgotten, their deaths can never be in vain. Their struggle is ours to wage, and we must stay in it. We are limitless in our abilities. We can truly be and do anything. Grow them seeds and they will give us more fruit. One love to the people! Afrikan people, I don’t need to know you to love you to tears.

#TAG #TheeAmazingGrace #Girlrillavintage

Coal-tar Black is Beautiful

Remembering a night out in Lancaster at ‪#‎JoeCapps‬. I remember raving about how beautiful this woman’s dark-melaninated skin was. I recall the moment she scowled at me insisting she wasn’t ‪#‎Afrikan‬. She rejected everything I had to say about it. Time was still as we stood in the middle of the bar with drinks in hand. I couldn’t believe it. The self hate was so strong, apparently taught to her and she was so old. I almost cried. Shout out to those! And shout out to Perley Cooper for teaching me about such an awesome phrase that he came up with “Cole-tar Black. ‪#‎MelaninMatters‬ #TheeAmazingGrace Screen Shot 2016-01-08 at 2.33.44 AM

Cotton Naga-NUBIAN

I began what seemed like the most tedious task. I picked out the seeds with no EN(GIN)E. It took me a little over 25-minutes to pick 12 seeds from the tiny bit of cotton I gathered. I prayed to my ancestors right then. I begged for their forgiveness. I begged for them to rest in eternal peace. I asked them to dwell inside of me, so that we will always work things out together. I demanded them to feel power from where they are. I conjured the spirit of the Nagas-the Nubians to heal inside us all of the days of our lives.-Thee Amazing Grace

Source: Cotton Naga-NUBIAN

Sylvester Magee (1841-1971) The man who lived 130 years

#SylvesterMagee

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Sylvester Magee may have been the last living slave in America, and the oldest person who ever lived! Born a slave in North Carolina, he was the son of slaves named Ephraim and Jeanette, who worked on the J.J. Shanks plantation. At age 19, just before the Civil War, Sylvester was purchased from a slave market at Enterprise, Mississippi by Hugh Magee, whose surname Sylvester eventually adopted. Hugh Magee owned the Lone Star Plantation in Covington County, Mississippi. One source indicated that Magee was in time sold by Magee to Victory Steen, who operated a plantation near Florence, Mississippi. Sylvester eventually ran away from the Steen plantation and joined the ranks of the Union Army. Magee obtained his freedom after the fall of Vicksburg and served with Union troops. By the mid-1960s, due to his advanced age, Sylvester Magee became nationally famous. On his 124th birthday the citizens…

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“Don’t Save Her. She Don’t Wanna Be Saved”: How the Ho/Queen Dichotomy is Killing the Black Body

“if your ‘pro-black woman’ movement does not include hoodrats & ratchet black women, because ‘theyre not queens/theyre setting black women back’, your movement is bullshit and I want no part of it any movement that segregates my sisters into ‘good and respectable’ and ‘bad and deserves disrespect’ categories is harmful and bullshiterious”
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One time for my LA sisters

One time for my LA hoes

Lame niggas can’t tell the difference

One time for a nigga who knows

J Cole’s catchy chant in “No Role Modelz” reminds us that there’s a difference between hoes and sisters. This meme reminds us that there’s a difference between queens and peasants. I am reminded of how commonplace it is to evaluate Black women’s worth based on how we choose to represent ourselves. And that makes me feel some typa way.

The intention of these messages is to promote self-respect in a society that has profited from demeaning us. To celebrate images of Black womanhood that are not predicated upon hyper-sexuality and one-dimensional tropes. But, for me, the intention is lost in a tone that echoes sentiments that were used to dehumanize Black women during slavery and to distinguish them from their white counterparts post-slavery. A Tumblr…

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Hang Her on the Wall Girl-Black Pin-ups

“Black Pin-Up Queens”
GirlrillaVintage Honors the Original Hang Her on the Wall Girl

“These are my custom made, wearable-intervention-art pieces, featuring vintage and vintage style black pin-up girls. Women who occupy a forever space of belonging in my heart. This is an ode to them and for the people who love them. Unlike white pin-up models of the time, praised for their beauty, black pin-up models were fetishized for their sexual prowess and curvaceous attributes. Black girls who weren’t cherished by soldiers overseas, pinned on walls, or lockers, but were hidden under mattresses, cloaked in secrecy, dirty little secrets, fetishized in private. Black pin-up girls were not idealized versions of what was thought of as beautiful or attractive. And despite the fact that Josephine Baker, Dorothy Dandrige, Lena Horne, and Eartha Kitt were all categorized as “burlesque” and “pin-ups” of the time, black pin-up models in general weren’t as widely distributed as white women of the same time period. This art is to honor, not overshadow to those black women, disempowered, abused and unrecognized like Sartje Baartman taken from Africa to England and placed in a freak show because of her “disproportionate” body, to those that bore for the love of art and self-expression. To the women in these images, thank you for letting me find you. Thank you for giving me permission to honor you this way.”

Love and Light,
Thee Amazing Gracie

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